Unadulterated Holiday Spirits

Post by David Uhlich

‘Tis the season for reminders about the proper handling of Thanksgiving leftovers, cautions regarding the dangers of overindulgence, and USDA recommendations that you cook your turkey breast until it is roughly the texture of sawdust. A recent foray into the rare book vault indicates that almost 200 years ago a German chemist named Fredrick Accum was doling out similar fare.

From A Treatise on Adulterations of Food, and Culinary Poisons..., Fredrick Accum, 1822.

From A Treatise on Adulterations of Food, and Culinary Poisons…, Fredrick Accum, 1822.

In his book, titled simply Culinary Poisons (or more lengthily A Treatise on Adulterations of Food, and Culinary Poisons, Exhibiting the Fraudulent Sophistications of Bread, Beer, Wine, Spiritous Liquors, Tea, Coffee, Cream, Confectionary, Vinegar, Mustard, Pepper, Cheese, Olive Oil, Pickles, and Other Articles Employed in Domestic Economy, and Methods of Detecting Them), Accum warns about the dangers of food additives and contamination, both for fraudulent purposes and as a byproduct of newly industrialized food production. For example, in his chapter “Disgusting Practice of Rendering Butchers’ Meat, Fish, and Poultry Unwholesome,” Accum rails against butchers who tamper with meat to make it appear fresher and those who mistreat animals that are meant for the table. While definitely a man of many words, Accum echoes current desires for natural, organic, cruelty-free foods. He would almost certainly approve of spending the extra money for that free-range heritage turkey.

From A Treatise on Adulterations of Food, and Culinary Poisons..., Fredrick Accum, 1822.

From A Treatise on Adulterations of Food, and Culinary Poisons…, Fredrick Accum, 1822.

Accum’s motto for the book is “there is death in the pot” (from 2 Kings 4:40), but he seems just as concerned with those that might tamper with the bottle. In the 344 page text, there are 30 pages dedicated to wine, 25 pages to spirits, and over 60 pages regarding the adulteration of beer. In fact, one of the numerous other books he wrote was A Treatise on the Art of Making Wine from Native Fruits; Elucidating the Chemical Principles upon Which the Art of Winemaking depends, the Fruits Best Adapted for Home-Made Wine, and the Methods of Preparing Them.  Sounds like the kind of person we’d all like to have at our holiday parties this year!

Archiving and the Frontier

This is a guest post by Phoebe Jones, UCSF Archives and Special Collections Volunteer.

In the couple of months that I have volunteered with the Archives and Special Collections, I have had the opportunity to survey the Committee on Arts and Lectures collection (AR 2015-17). From 1957-1968 UCSF’s Committee on Arts and Lectures organized and facilitated lectures, art exhibitions, and musical events for the UCSF community. This collection is comprised of audiovisual components, photographs, programs, announcements and books upon books of lecture transcripts.

Program for the 1971 Winter Quarter evening cultural classes. Note tuition prices for these classes ranged from $4.00-$24.00. AR 2015-17.

Program for the 1971 Winter Quarter evening cultural classes. Note tuition prices for these classes ranged from $4.00-$24.00. AR 2015-17.

One lecture series in this collection is titled, “Noon Topics.” For this series, the Committee would bring in a speaker about every week to address the community. Various speakers over the decade included Ansel Adams, Barnaby Conrad, and Arthur Russell Moore. Lecture topics ranged from Chinese philosophy to jazz music, from Italian culture to humankind’s existential significance.

The Noon Topics Fall 1966 program. Ansel Adams opened the season. Unfortunately his lecture was not transcribed. AR 2015-17.

The Noon Topics Fall 1966 program. Ansel Adams opened the season. Unfortunately his lecture was not transcribed. AR 2015-17.

The Noon Topics program of events of 1960 captures the intention behind establishing this lecture series:

“‘Noon Topics’ are designed to promote an interest in Human Ecology: the science of man in an ever-changing environment which is influenced by the geography, sociologic structure, and the biologic species therein. These lectures present “frontier thinking” in many fields of science, philosophy, literature, and human affairs- areas which influence directly or indirectly, the physical and psychological environment and the well-being of man.”

What I love most about this mission statement is the phrase, “frontier thinking.” I find the notion that each lecture was in some way revelatory of the great un-thought and unknown, humbling. But here we are in 2015 reading these transcripts and the question, “have we yet forged this lecturer’s frontier,” remains.

I tend to think that it is too easy to frame ideas and concepts from the past as mere stepping stones to “true” advancement or achievement; “thank goodness person x discovered y or else we would never have later produced z.” While this line of thought is not necessarily patronizing- it acknowledges the significance of such a piece in the grander puzzle- it ultimately strips the initial discovery of its frontier quality.

“Frontier” suggests a future that is beyond what has been revealed but not beyond the hope and potential of it one day being unveiled. To describe something as “frontier” suggests an element of wonder, movement and the unexpected. Therefore, “frontier thinking” may be the most apt term for the Noon Topics’ celebration of the present discoveries in Human Ecology and humanity’s continued pursuit of the “greater.”

The Spring Quarter 1967 Noon Topics Program title page. AR 2015-17.

The Spring Quarter 1967 Noon Topics Program title page. AR 2015-17.

As an individual new to the world of archiving, I have been thinking a lot about what it means to honor the past as a composite of the present and the future.  How can I respect the past (whether in the form of an individual’s life, an ideology, even an event preserved in a newspaper headline) for both what it was at that moment in time and what it will be or can be?

On the first day of volunteering at the archives I could not help but wonder, how do we decide what is worth keeping around? It did not take me long to realize that the act of archiving is an active and constant mediation of the past, present, and future. In working through this collection and thinking about its concept of “Frontier,” it seems that we can only begin to look at a lecture transcript and make a holistic interpretation of its worth if we first consider the complex contexts in which it developed and evolved.

October is Archives Months

October is American Archives MonthThe UCSF Archives have a double celebration this month. October is not just an American Archives month, but also the California Archives month. This event “raises public awareness of the importance of archives and to honors the efforts of the professionals who protect and maintain historical documents.”
Please visit the UCSF Archives to:

  • Access Historical Materials in the Reading Room
    We collect and preserve rare and unique materials to support research and teaching in the history of health sciences, the development of UCSF, and biomedical discoveries. Make an appointment to view rare books, archives, manuscripts, photographs, and artifacts.
  • Develop Research Strategies
    Schedule a consultation to develop effective research strategies.  Discover print and online primary sources in the history of health sciences and UCSF history.
  • Get Help with Documenting Your Career/Preserving Your Department’s Records
    We review your personal papers & organization records (print & digital) and advise on how to preserve them. Consult us about donating your materials.
  • Locate materials and Access Digital Collections
    https://www.library.ucsf.edu/collections/archives
  • Connect with Us:
    Brought to Light blog
    Twitter: @ucsf_archives

Please meet the UCSF Archives & Special Collections team (in order of appearance):

  • David Krah, processing archivists (Tobacco Control Archives and Eric Berne collections)
  • Kelsi Evans, processing archivist (Radiologic Imaging Laboratory and Dr. J. Michael Bishop collections)
  • David Uhlich, UCSF assistant archivist
  • Polina Ilieva, UCSF archivist, Head of Archives & Special Collections

[iframe src=”https://archive.org/details/ucsf_archives_2015″ width=”640″ height=”480″ frameborder=”0″ webkitallowfullscreen=”true” mozallowfullscreen=”true” allowfullscreen]

Or watch the video on the Internet Archive.

Quick Guide to Research Tools

Summer is officially here and with it comes research trips! Whether you are set on visiting the UCSF Archives and Special Collections or just getting started on your plans, the UCSF Library has a number of tools that can help. Take a look at the following list and please contact us if you have any questions.

Search for archival material and rare books:

View archival material and special collections online:

Access and Services:

Accessions & Additions – Summer Edition

We’re always busy accepting new collections and pushing through our backlog to make as many collections available for research as possible. This list of new records includes materials relating to tobacco control, UCSF, infectious disease, pediatrics, nursing education, HIV/AIDS Toland Hall murals, book collecting, medical education, and more. Click on the titles below to learn more the contents, subjects, and size of these collections.

Contact us if you have any questions or would like to learn more. And please don’t hesitate to make an appointment to come in and use the collections!

Our catalog updates over the past six months:

The following collections have inventories or finding aids on the Online Archive of California:

New collections available in the Tobacco Control Archives

New collections available for research in the Tobacco Control Archives include the Donna Shimp papers and Environmental Improvement Associates records, the American Legacy Foundation records, and significant additions to the Stanton A. Glantz papers. Finding aids for these collections are available for perusal on the Online Archive of California and the collections may be requested for research.

Donna Shimp outside New Jersey Bell office, undated. MSS 2001-33

Donna Shimp outside New Jersey Bell office, undated. MSS 2001-33

Donna Shimp papers and Environmental Improvement Associates records

Donna Shimp began working for New Jersey Bell in 1961 as a service representative in a smoke-filled office (the kind of work environment shared by countless other American workers in the 1970s). In fact, the union representing her – Communications Workers of America – had recently fought for and won the right for employees to smoke in the office. Mrs. Shimp began to suffer acute allergic reactions to the environmental smoke in the office and sought relief from her employer.  New Jersey Bell declined to accommodate her request and likewise the union refused to step in on her behalf.  Mrs. Shimp had no choice to but to sue New Jersey Bell. Shimp won her case using an argument that she had a common law right to a workplace free from environmental hazards, a very different tactic than some other cases seeking constitutional protection, which were unsuccessful.  The favorable 1976 decision hinged on New Jersey Bell’s practice of prohibiting smoking around its sensitive electronic equipment. The judge reasoned that employees should enjoy the same protection as the computers and ordered New Jersey Bell to accommodate Mrs. Shimp’s demands.  Despite this victory, New Jersey Bell’s “accommodations” dragged on for years. Mrs. Shimp found herself having to pass through a manager’s office to use a separate smoke-free bathroom facility and litigation carried on well into the 1980s.

Mrs. Shimp continued to work at New Jersey Bell and used her case as a springboard into a new career as an activist seeking to help other workers across the country who were also seeking relief from smoke-filled work environments. Shimp and her husband E. Benjamin Shimp started a non-profit organization called Environmental Improvement Associates. They published and disseminated books and pamphlets aimed at empowering workers to rid their offices and workplaces of the toxic environmental effects of smoking, beginning with How to Protect Your Health at Work (Environmental Improvement Associates, 1976).

Layout for How to Protect Your Health at Work front cover, 1976. MSS 2001-33

Layout for How to Protect Your Health at Work front cover, 1976. MSS 2001-33

They sold publications to individuals and advocacy groups, barely able to keep up with demand. Shimp received reams of correspondence from workers seeking her help with workplace strategies and help bringing their own legal action. She traveled widely speaking at conferences and serving on panels, bringing out her homemade posters, slides and graphics. She continued her advocacy work through the 1990s and  donated her papers to UCSF in 2001.

Layout for smoke-free workplace poster, 1970s. MSS 2001-33.

Layout for smoke-free workplace poster, 1970s. MSS 2001-33.

American Legacy Foundation records

The American Legacy Foundation  was created in 1999 as a result of the 1998 Master Settlement Agreement (MSA), and used mandated tobacco industry funds to produce numerous anti-smoking campaigns. Legacy produced marketing campaigns that targeted youth and different ethnic groups and supported smokers who wanted to quit. The truth campaign, launched in 2000, employed a “bold and edgy” feel and sought to educate teens about the tobacco industry’s deceptive practices by using their own documents in campaign materials. Other major campaigns included the Great Start campaign aimed at helping pregnant smokers quit and Ex, which employed reality TV-style storytelling to help those who want to quit break the habit.

mss200306_truthcampaign

Truth campaign. MSS 2003-06

The American Legacy Foundation (ALF) records contain marketing materials for smoking cessation campaigns and include brochures, mailers, press kits, photographs, TV and radio spots and realia such as t-shirts and totebags. Also included are foundation progress reports, policy and subject reports, fact sheets, memos, newsletters, press releases and media clippings.

ALF tank top. MSS 2003-06

ALF tank top. MSS 2003-06

Stanton A. Glantz papers

Stanton Arnold Glantz is a professor in the Department of Medicine, School of Medicine, at the University of California, San Francisco, Director of the UCSF Center for Tobacco Control Research and a well-known anti-tobacco activist and writer. Glantz received the infamous shipment of Brown & Williamson documents from “Mr. Butts”, and thusly published the revelations contained in those documents as The Cigarette Papers.

In 1994, Glantz donated to the UCSF Tobacco Control Archives his research files based on the Brown & Williamson Collection and a small number of other publications, as well as his work  with the Statewide Air Pollution Resource Center (SAPRC). Further additions to this collections have been processed including additional background material and references for The Cigarette Papers, Tobacco War: Inside the California Battles, and recorded interviews with subjects involved in anti-tobacco advocacy and policy making in California and Arizona. These interviews are in the process of being digitized and will later be available on the Internet Archive.

Lecture now online – History, Science, and Art of Ocular Prosthetics

The lecture History, Science, and Art of Ocular Prosthetics given by Robert S. Sherins, MD, in the UCSF Library on May 28th is now available free online.

lecture

This lecture, and the current exhibition on the fifth floor of the library, feature the Danz ocular pathology collection. The beautiful collection of glass eyes was exhibited several times during the past 50 years, however many historic details about this donation were lost. This unique artifact is used to tell the story of family traditions continued through the centuries on two continents. Through partnership with several members of the Danz family – ocularists: Phillip Danz of Sacramento; William Danz of San Francisco; and William Randy Danz of Ridgewood, New Jersey; as well as the author/lecturer, Dr. Robert Sherins, ophthalmologist, UCSF School of Medicine Alumnus Class of 1963; and UCSF archivist, Polina Ilieva, this exhibit demonstrates the evolution of skillful craftsmanship of Müller-Uri and Danz families, as well as the science and art of ocular prosthetics.

Please use this link to view Dr. Sherin’s presentation in full. More information about the story of the Danz collection can be found here.

About the UCSF Archives & Special Collections Lecture Series
UCSF Archives & Special Collections launched this lecture series to introduce a wider community to treasures and collections from its holdings, to provide an opportunity for researchers to discuss how they use this material, and to celebrate clinicians, scientists, and health care professionals who donated their papers to the archives.

Who was Dr.Arthur Guedel?

This is a guest post by Dr. Selma Calmes

Arthur Guedel, MD (1883-1956), was an early anesthesiologist who made many important contributions to the development of anesthesiology.  His papers are now available at UCSF Archives & Special Collections.  Who was Dr. Guedel and why is he important?

Guedel’s early life was difficult.  He was born in Cambridge City, Indiana, and had to leave school at age 13 to help support his family.  A work accident led to the loss of the first three fingers of his right hand—and he was right-handed.  Guedel dreamed of practicing medicine even though he had no high school diploma and no financial resources.  American medical schools had few admission requirements then, and his family physician helped him get into the University of Indiana Medical School.  He graduated in 1908.
Guedel administered his first anesthetics while an intern at Indianapolis City Hospital.  This was a common duty for interns of the time because there were then few physicians interested in anesthesia.  Guedel started a general practice in Indianapolis in 1909 and earned additional income by giving anesthesia in hospitals and dental offices.  He was an exceptional observer, analyzing carefully what might be going on with his anesthetized patients and thinking of possible solutions to the problems.

GUEDEL CHT1

First version of Guedel’s signs of anesthesia

One example of his contributions is his work on the signs of anesthesia.  The various devices that tell us how an anesthetized patients are doing today, such as EKGs, blood pressure devices and pulse oximeters, weren’t available when Guedel began to do anesthesia.   Four stages of anesthesia were accepted:
Stage I: Induction, the start of administration until loss of consciousness
Stage II: Struggling, breath-holding, delirium, from loss of consciousness to onset of surgical anesthesia
Stage III: Surgical anesthesia, characterized by deep, regular, automatic breathing
Stage IV: Bulbar paralysis, irregular breathing, pupils no longer respond to light

Guedel’s contributions were to expand these observations and to look for other physical signs.  He better defined Stage III, the level at which surgery could be done, by further dividing it into four planes and by adding eye signs. This improved patient safety by making clear when the patient was too “deep” and might possibly die from overdose of anesthesia.

GUEDEL PORTRAIT-200

Dr. Arthur Guedel during World War I

The setting for these developments was Guedel’s service with the US Army in WW I in France.  The Army had no anesthesiologists when the US entered the war, and casualties were overwhelming.  After working 72 hours straight along with three other physicians and one dentist, and needing to run as many as 40 operating room tables at a time, Guedel decided additional staff had to be trained.  He developed a school that taught physicians, nurses and orderlies to give anesthesia.  But, how could he help his trainees do safe anesthesia once they left the school?  He prepared a little chart of his version of the signs and stages of ether anesthesia, the most common agent in use at the time and one with a wide margin of safety.  This chart was a visual version of the concepts he had been developing before his Army service.  Armed with their charts, the trainees went out to nearby hospitals to work on their own.  Guedel acquired a motorcycle so he could make weekly rounds of the six hospitals for which he was responsible.  He would roar from hospital to hospital through the deep mud that characterized WW I battlefields, checking on his trainees.  He was known as “the motorcycle anesthetist” of WW I.
After his return to the US in 1919, he presented his chart at meetings.  In 1920, he wrote an article on his signs for the first anesthesia journal. Additional articles appeared in 1935 and 1936 and also in Guedel’s notable book, Inhalation Anesthesia: A Fundamental Guide, published in 1937.

Zakheim-mural-Bell-color w ID

Dr. Guedel (under the operating room table) and his anesthesia machine in the Zakheim mural. Chauncey Leake is standing above him

In 1929, Dr. Guedel moved from Indianapolis to Los Angeles.  He continued his careful observations and worked to solve important problems.  He collaborated with others, most importantly Dr. Ralph Waters of Madison-Wisconsin (considered the father of academic anesthesiology) and pharmacologist Dr. Chauncey Leake, then UCSF’s chairman of pharmacology.  Guedel would travel from Los Angeles to San Francisco for various research projects at UCSF. He even appears in the Bernard Zakheim murals at UCSF!   The papers now available in the UCSF Archives document many other contributions made by this important anesthesiologist.

Selma Harrison Calmes, MD is a retired anesthesiologist interested in history. A 1965 graduate of Baylor College of Medicine, she trained in anesthesiology at the University of Pennsylvania. She came to UCLA in 1976 as their first pediatric anesthesiologist. In 1988, she became chair of anesthesiology at Olive View-UCLA Medical Center. She retired from clinical work in 2007 and now is the Anesthesiology Consultant to the Los Angeles County Coroner.
In 1980, she took a National Endowment for the Humanities Summer Fellowship in Medical History at the University of Cincinnati under noted medical historian Dr. Sol Benison. She writes on various aspects of anesthesia history, especially in California, and on the many women who were early leaders in anesthesiology, especially Dr. Virginia Apgar. She co-founded the Anesthesia History Association with Dr. Rod Calverley in 1982 and served as the first editor of their publication, now the Journal of Anesthesia History. She is on the Board of Trustees of the American Society of Anesthesiologists’ Wood Library-Museum and is president of the Guedel Memorial Anesthesia Center Board of Trustees. She appeared in the National Library of Medicine’s 2003-2005 exhibit on women in medicine, “Changing the Face of Medicine” and is listed in their biographic dictionary.

Arthur E. Guedel Anesthesia Collection transferred to UCSF archives

The UCSF archives would like to announce the acquisition of the Arthur E. Guedel Anesthesia Collection. The agreement to transfer these unique materials of high research value that will complement existing archival holding was signed by the Arthur E. Guedel Memorial Anesthesia Center Board of Trustees and the UCSF Library last March. This extensive collection contains more than 40 linear feet of personal papers, rare books on the history and development of anesthesia, journals and artifacts, including anesthesia equipment and unique collection of artifacts from Richard Gill’s journey into Ecuador to collect curare, as well as audio-visual materials.

Drs. Merlin Larson and Selma Calmes

Drs. Merlin Larson and Selma Calmes signing the agreement to transfer the Arthur E. Guedel Anesthesia Collection to the UCSF Archives & Special Collections, March 2015

The Arthur E. Guedel Memorial Anesthesia Center was founded in 1963 by a small group of anesthesiologists who were interested in preserving the history of their specialty. The center is dedicated to the memory of Dr. Arthur E. Guedel, a pioneer of modern anesthesiology on the West Coast. For many years it was housed in the Health Sciences Library at California Pacific Medical Center and we are grateful to our colleagues there, in particular Anne Shew, director of the Health Sciences Library for an outstanding stewardship of these materials. The personal papers have detailed finding aids and after they are moved to the UCSF library later this summer, they will be made accessible to the visitors in the archives reading room. The reminder of the collection will be transferred to archives after removing duplicate material within a year. The Guedel collection materials will be incorporated into UCSF library catalog and archival collections finding aids describing the contents of personal papers will be added to the Online Archive of California. At the conclusion of the transfer, a Guedel collection digital portal describing history and materials in the collection will be built by the archives and linked to the UCSF Department of Anesthesia website.
Dr. Selma Calmes, retired Clinical Professor of Anesthesiology at UCLA and president of the Guedel Board of Trustees, noted in her 2004 article that Dr. Chauncey Leake, Professor of Pharmacology at UCSF was a person with strong ties to anesthesia and was instrumental in naming and organizing the center: “He suggested dedicating it to the memory of the only pioneer of modern anesthesia on the West Coast, Dr. Arthur Guedel of Los Angeles. Leake had been good friends with Guedel, who often visited UCSF to do research.” (1) The UCSF archives is the home of the Leake papers (as well as collection of rare books on anesthesia) and the addition of the Guedel collection will reunite these resources. It includes the papers and correspondence of several pioneers in the field on anesthesia, in particular, Richard C. Gill, Drs. Ralph Waters, Abram Elting Bennett, William Neff, and Arthur E. Guedel.

We would like to express our gratitude to the Guedel Board and in particular Drs. John Severinghaus, Merlin Larson, and Selma Calmes. Tomorrow we will be publishing a guest post written by Dr. Calmes and in the next year are planning to share updates about the transfer of the collection to UCSF, as well as showcase its treasures.
1.    Calmes, Selma. “The History of the Arthur E. Guedel Memorial Anesthesia Center.” California Society of Anesthesiologists Bulletin. 2004 July-September; 53 (3): 71-72.

Country Joe McDonald’s Florence Nightingale collection will be preserved in UCSF Archives

Country Joe McDonald, singer, songwriter, and social advocate, co-founder of the Country Joe & the Fish rock band remembered for his performance in Woodstock, recently donated his Florence Nightingale collection to the UCSF archives. This International Nurses Day, May 12th, we asked Joe several questions about his unusual archive that contains 7 oversize boxes of printed materials, ephemera, and books as well as a website “Country Joe McDonald’s Tribute to Florence Nightingale.”

Country Joe McDonald performs a tribute to Florence Nightingale at UCSF in the fall of 2013 (photo by Elisabeth Fall)

Country Joe McDonald performs a tribute to Florence Nightingale at UCSF in the fall of 2013 (photo by Elisabeth Fall)

1. What got you interested in the life of Florence Nightingale?

I heard Lynda Van Devanter, an Army Vietnam War nurse speak in 1981 at a symposium on the problems of Vietnam veterans. She challenged other veterans, saying we ignored the needs and service of women in the military. I took it to heart and promised her I would write a song for her. But I knew nothing of nursing except the name Florence Nightingale. I looked in the encyclopedia and it said Florence Nightingale had gone to nurse English soldiers at the request of the English government during the Crimean War in 1854. That she was an upper class woman and she suffered a nervous disorder for the rest of her life. Vietnam veterans were suffering from PTSD as a result of their experiences. I found this similarity  very interesting and wanted to know more. I went to a well known used book store in Oakland and found two books on her life. One was Sir Edward Cook’s book. The other, Cecil Woodham-Smith’s book. I read them both. And that was the beginning of my journey.

2.       For how long have you been documenting her story?

It was 1981 when I first heard Lynda speak, so it is over thirty years.

A glass "magic lantern" slide of the painting by Jerry Barrett, “The Mission of Mercy: Florence Nightingale Receiving the Wounded at Scutari” (National Portrait Gallery, London). A photo of a black-and-white engraving has been hand-colored. Read more about this painting on the Country Joe McDonald website.

A glass “magic lantern” slide (reversed) of the painting by Jerry Barrett, “the Mission of Mercy: Florence Nightingale Receiving the Wounded at Scutari” (National Portrait Gallery, London). A photo of a black-and-white engraving has been hand-colored. Read more about this painting on the Country Joe McDonald’s website.

3.       How do you select materials to add to your collection?

At first it was not a collection. But I needed to learn about England and the Victorian Era in order to understand what I was reading.  So one thing led to another. Then I decided to visit the places important to her life. Wherever I went I would pick up stuff about the place I visited and her. She was such a huge social phenomena, such a famous person after the war, that lots of stuff was created about her and using her name. Since she was a recluse lots of it was just made up to satisfy the desire of the public to have a bit of her. She was famous on the level of Kim Kardashian or Princess Kate. I found this very interesting. So there was stuff that was intelligent and accurate and stuff that was pure fantasy and frivolous.
I tried to get it all. I trolled Amazon and Internet book sites grabbing whatever I found that was not too expensive. Since I had a web person who was building my professional home page for me I decided to create a home page for her.  Using the facts and stuff I found out about her. We started with a time line of her life. It just grew and grew. It seemed to me to be endlessly interesting. I was amazed at the diversity of her life and nursing. I found it very hard to stop adding things.

4.   What is your favorite item in this collection?

It is difficult to pick one item. But I will mention a copy I made of many of the pages of her third edition of Notes On Hospitals. I got an original through interlibrary loan from a library in Pasadena. Such a thing could never happen today. There are three editions of Notes On Hospitals. I have a facsimile of the original which is part of the collection. But the one always mentioned in writings about her is the third edition.

Much to my amazement the copy I got from inter library loan had a signature of Adelaide Nutting the famous nurse historian on the cover page. I felt like an archaeologist making a discovery. I guess the copy the library had once belonged to Adelaide Nutting. I probably could have just kept the copy and no one would have cared much. Such is the treatment Florence Nightingale is often given. She even predicted this. When the Edison Company recorded her voice she said that “some day when I am no longer a memory, just a name.” And today that is seems the case. Everyone knows her name but very little about her except the common folklore. I could not in good conscience keep the original. So I made copies of many of the pages. Even that would not be allowed today. And those pages are part of the collection.  Looking at those pages one sees what a theoretician, innovator and statistician she was.

5.       You wrote several songs about nurses, where can we listen to them?

I have had several ideas about how to tell the story of her life. I thought of a documentary called “On The Trail Of Miss Nightingale” where a host visited and talked about all the locations important to her life. Then, because I am a songwriter a few songs about her and nursing just came to me. Then I got the idea to write an opera about her life and wrote some more songs. Then I got the idea of a spoken word and song one man show about her life and nursing complete with projected slides. Then I tried to write a film treatment. A couple of the songs made it onto CD’s. I made a CD of four nurse songs called “Thank The Nurse” and still have a few of those around. I am currently working  on a new album and it will include several new songs about her and her sister. Over the years I have performed and talked about Florence Nightingale only a dozen times. I am amazed at the lack of song and film and about Florence Nightingale and nursing. Even though she is probably the most written about woman in history. She is never named as one of the famous and important women in the 20th century.

I think her image is tangled up in the convoluted thoughts and disinformation about women in general and nurses in particular. In today’s world there seems to be a lack of interest in history and an emphasis on the present and making a living. Perhaps that makes good common sense in today’s market place. But I still believe that her story is exciting, important and should be told.

6.       Why did you decide to build a website telling the story of Florence Nightingale, what else does it include?

It started as a simple idea. I wanted to show how interesting her life was and how important a person she was. We started with a timeline containing important events in her life from before her birth to her death. Each time I learned or discovered something new we added it. It is the only such site in the world. That just happened one thing at a time over a period of almost twenty years.  It is impossible for me to say what it includes. I will just say it includes everything I think is important to her life. You will not find some of that information any place else. I hope that UCSF Nursing School will continue to add to the site now that it is archived by the university.

 7.       Do you know how many visitors it attracts?

It is hard to interpret visitors to a site. But I will guess several hundred a month. Many of them are school children doing studies on famous women. I would be interested to know who uses the site. It was built for my own entertainment so I never had in mind visitors really.

Cover of the book from Country Joe McDonald's Florence Nightingale collection, "People at Work: The Nurse," 1963.

Cover of the book from the Country Joe McDonald’s Florence Nightingale collection, “People at Work: The Nurse,” 1963.

8.      Now that your collection and website are preserved at the UCSF Archives will you continue adding materials and updating the site?

I doubt that I will add much more to the site. But you never know. It would be wonderful if UCSF students doing nurse history would add to the site. There is now a new generation growing up with the internet and computers and they certainly could expand the site.

9.       For many years you have being performing a show based on the story of Florence Nightingale and other war nurses, where can our readers view it?

There really is no where to view it. I thought over the years that there should be some film or video made so that it could perhaps be used as an educational tool but that never happened. I do not perform much any more. I did do a short performance of spoken word and song in a Berkeley book store a few months ago around the subject of War Nursing. That was the first time I did that. I used material from the Crimean War, World War I and the Vietnam War with a subject theme of “burn out.”

10.  Do you have any nurses in your family?

My wife is a Labor and Delivery nurse and RN midwife. My brother retired after 37 years as a nurse and then nurse practitioner. My daughter just graduated and received her RN license. My niece is a nurse at UCSF Hospital and her husband is an RN.  As an aside, my mother’s name was Florence. It is said that most of the women of the 19th and 20th century named Florence were named after her. She was named Florence after the Italian city of her birth, Florence .

11. What do you want to wish the nurses around the world on this International Nurses Day that is celebrated on the birthday of Florence Nightingale?

I hope that nurses are able to appreciate the great sacrifices that those early pioneers made creating the wonderful profession of nursing. I hope that they are able to be proud of the work they do. I want them to know that we appreciate what they do daily often saving lives and allowing us all to lead happy and healthy lives. And I hope that they are able to take the day off and treat themselves to some well earned R&R.