New Exhibit: Many Faces, One UCSF

Visit the 3rd floor of the UCSF Library and view our new exhibit, Many Faces, One UCSF: Celebrating 150 Years of Innovation, Education, and Care.manyfacesoneucsf_smallposter1

The exhibit is free and open to the public now through May 31, 2016. View rare medical artifacts and unique photographs from our collections and learn how UCSF has pioneered health science education, research, and patient care for over 150 years.

School of Pharmacy case. The exhibit includes cases dedicated to each of the four schools: School of Pharmacy, School of Nursing, School of Medicine, and School of Dentistry

School of Pharmacy case. The exhibit includes cases dedicated to each of the four schools: School of Pharmacy, School of Nursing, School of Medicine, and School of Dentistry

UCSF Educates case. The exhibit includes cases dedicated to the UCSF mission of education, innovation, service, and care.

UCSF Educates case. The exhibit includes cases dedicated to the university’s missions of education, innovation, service, and care.

Visit the companion online exhibit here: Many Faces, One UCSF

We’re excited to share our collections with the public and proud to be a part of UCSF.

Arthur E. Guedel Anesthesia Collection transferred to UCSF archives

The UCSF archives would like to announce the acquisition of the Arthur E. Guedel Anesthesia Collection. The agreement to transfer these unique materials of high research value that will complement existing archival holding was signed by the Arthur E. Guedel Memorial Anesthesia Center Board of Trustees and the UCSF Library last March. This extensive collection contains more than 40 linear feet of personal papers, rare books on the history and development of anesthesia, journals and artifacts, including anesthesia equipment and unique collection of artifacts from Richard Gill’s journey into Ecuador to collect curare, as well as audio-visual materials.

Drs. Merlin Larson and Selma Calmes

Drs. Merlin Larson and Selma Calmes signing the agreement to transfer the Arthur E. Guedel Anesthesia Collection to the UCSF Archives & Special Collections, March 2015

The Arthur E. Guedel Memorial Anesthesia Center was founded in 1963 by a small group of anesthesiologists who were interested in preserving the history of their specialty. The center is dedicated to the memory of Dr. Arthur E. Guedel, a pioneer of modern anesthesiology on the West Coast. For many years it was housed in the Health Sciences Library at California Pacific Medical Center and we are grateful to our colleagues there, in particular Anne Shew, director of the Health Sciences Library for an outstanding stewardship of these materials. The personal papers have detailed finding aids and after they are moved to the UCSF library later this summer, they will be made accessible to the visitors in the archives reading room. The reminder of the collection will be transferred to archives after removing duplicate material within a year. The Guedel collection materials will be incorporated into UCSF library catalog and archival collections finding aids describing the contents of personal papers will be added to the Online Archive of California. At the conclusion of the transfer, a Guedel collection digital portal describing history and materials in the collection will be built by the archives and linked to the UCSF Department of Anesthesia website.
Dr. Selma Calmes, retired Clinical Professor of Anesthesiology at UCLA and president of the Guedel Board of Trustees, noted in her 2004 article that Dr. Chauncey Leake, Professor of Pharmacology at UCSF was a person with strong ties to anesthesia and was instrumental in naming and organizing the center: “He suggested dedicating it to the memory of the only pioneer of modern anesthesia on the West Coast, Dr. Arthur Guedel of Los Angeles. Leake had been good friends with Guedel, who often visited UCSF to do research.” (1) The UCSF archives is the home of the Leake papers (as well as collection of rare books on anesthesia) and the addition of the Guedel collection will reunite these resources. It includes the papers and correspondence of several pioneers in the field on anesthesia, in particular, Richard C. Gill, Drs. Ralph Waters, Abram Elting Bennett, William Neff, and Arthur E. Guedel.

We would like to express our gratitude to the Guedel Board and in particular Drs. John Severinghaus, Merlin Larson, and Selma Calmes. Tomorrow we will be publishing a guest post written by Dr. Calmes and in the next year are planning to share updates about the transfer of the collection to UCSF, as well as showcase its treasures.
1.    Calmes, Selma. “The History of the Arthur E. Guedel Memorial Anesthesia Center.” California Society of Anesthesiologists Bulletin. 2004 July-September; 53 (3): 71-72.

New Exhibit: The Radiologic Imaging Laboratory Archive

Visionary Bioengineering: The Radiologic Imaging Laboratory Archive                       UCSF Library, 530 Parnassus Avenue, 3rd floor, San Francisco, CA                             Now through May 2016                                                                                                   Free and open to the public during library hours

Image of MRI scan prepared for scientific publications and sales meetings, circa 1985, RIL records, MSS 2002-08

Image of MRI scan prepared for scientific publications and sales meetings, circa 1985, RIL records, MSS 2002-08

Come visit the UCSF Library and view our “sneak peek” exhibit on the history of the Radiologic Imaging Laboratory (RIL). The RIL was founded in the late 1970s by a team of UCSF scientists and engineers. The team’s goal was to create a clinically viable diagnostic tool using nuclear magnetic resonance imaging, later called MRI. Over the course of 25 years, the lab developed innovative MRI technology that transformed the way doctors diagnose and treat patients worldwide.

RIL graduate student researcher Tim Mills with imaging machine, 1986, Photograph collection

RIL graduate student researcher Tim Mills with imaging machine, 1986, Photograph collection

View images and original documents from the RIL records and learn how the lab combined entrepreneurship and biotechnology research. Join us again in the coming year for the full exhibit where we’ll further explore the RIL’s growth and technological discoveries.

Researchers and technicians Lawrence Crooks, Bob McCree, Ian Duff, and Roger Littlewood, circa 1981, Photograph collection

Researchers and technicians Lawrence Crooks, Bob McCree, Ian Duff, and Roger Littlewood in laboratory, circa 1981, Photograph collection

We’re excited to share this archive with the public. To learn more about using the RIL records (MSS 2002-08) for research, contact the UCSF Archives and Special Collections.

Science and Art: Saxton T. Pope Research Illustrations

From 1912-1913, UC surgeon Saxton T. Pope kept a notebook detailing his laboratory research. Throughout the record, he included drawings of the experimental medical instruments and procedures he was developing.

Saxton Temple Pope (1875-1926)

Saxton Temple Pope (1875-1926)

Two of the more elaborate illustrations in the notebook detail his work with ether administration. Ether was commonly used in the 19th and early 20th century as an anesthetic during surgical procedures.

Saxton T. Pope illustration of intratracheal insufflation apparatus, MSS 26-3

Saxton T. Pope illustration of intratracheal insufflation apparatus, research notebook, MSS 26-3

Saxton T. Pope illustration of intra-tratracheal anaesthesia apparatus, MSS 26-3

Saxton T. Pope illustration of intra-tratracheal anaesthesia apparatus, research notebook, MSS 26-3

To see more from the notebook and learn about Pope and his work, make an appointment to see the Saxton Temple Pope papers, MSS 26-3.

Country Joe McDonald’s Florence Nightingale collection will be preserved in UCSF Archives

Country Joe McDonald, singer, songwriter, and social advocate, co-founder of the Country Joe & the Fish rock band remembered for his performance in Woodstock, recently donated his Florence Nightingale collection to the UCSF archives. This International Nurses Day, May 12th, we asked Joe several questions about his unusual archive that contains 7 oversize boxes of printed materials, ephemera, and books as well as a website “Country Joe McDonald’s Tribute to Florence Nightingale.”

Country Joe McDonald performs a tribute to Florence Nightingale at UCSF in the fall of 2013 (photo by Elisabeth Fall)

Country Joe McDonald performs a tribute to Florence Nightingale at UCSF in the fall of 2013 (photo by Elisabeth Fall)

1. What got you interested in the life of Florence Nightingale?

I heard Lynda Van Devanter, an Army Vietnam War nurse speak in 1981 at a symposium on the problems of Vietnam veterans. She challenged other veterans, saying we ignored the needs and service of women in the military. I took it to heart and promised her I would write a song for her. But I knew nothing of nursing except the name Florence Nightingale. I looked in the encyclopedia and it said Florence Nightingale had gone to nurse English soldiers at the request of the English government during the Crimean War in 1854. That she was an upper class woman and she suffered a nervous disorder for the rest of her life. Vietnam veterans were suffering from PTSD as a result of their experiences. I found this similarity  very interesting and wanted to know more. I went to a well known used book store in Oakland and found two books on her life. One was Sir Edward Cook’s book. The other, Cecil Woodham-Smith’s book. I read them both. And that was the beginning of my journey.

2.       For how long have you been documenting her story?

It was 1981 when I first heard Lynda speak, so it is over thirty years.

A glass "magic lantern" slide of the painting by Jerry Barrett, “The Mission of Mercy: Florence Nightingale Receiving the Wounded at Scutari” (National Portrait Gallery, London). A photo of a black-and-white engraving has been hand-colored. Read more about this painting on the Country Joe McDonald website.

A glass “magic lantern” slide (reversed) of the painting by Jerry Barrett, “the Mission of Mercy: Florence Nightingale Receiving the Wounded at Scutari” (National Portrait Gallery, London). A photo of a black-and-white engraving has been hand-colored. Read more about this painting on the Country Joe McDonald’s website.

3.       How do you select materials to add to your collection?

At first it was not a collection. But I needed to learn about England and the Victorian Era in order to understand what I was reading.  So one thing led to another. Then I decided to visit the places important to her life. Wherever I went I would pick up stuff about the place I visited and her. She was such a huge social phenomena, such a famous person after the war, that lots of stuff was created about her and using her name. Since she was a recluse lots of it was just made up to satisfy the desire of the public to have a bit of her. She was famous on the level of Kim Kardashian or Princess Kate. I found this very interesting. So there was stuff that was intelligent and accurate and stuff that was pure fantasy and frivolous.
I tried to get it all. I trolled Amazon and Internet book sites grabbing whatever I found that was not too expensive. Since I had a web person who was building my professional home page for me I decided to create a home page for her.  Using the facts and stuff I found out about her. We started with a time line of her life. It just grew and grew. It seemed to me to be endlessly interesting. I was amazed at the diversity of her life and nursing. I found it very hard to stop adding things.

4.   What is your favorite item in this collection?

It is difficult to pick one item. But I will mention a copy I made of many of the pages of her third edition of Notes On Hospitals. I got an original through interlibrary loan from a library in Pasadena. Such a thing could never happen today. There are three editions of Notes On Hospitals. I have a facsimile of the original which is part of the collection. But the one always mentioned in writings about her is the third edition.

Much to my amazement the copy I got from inter library loan had a signature of Adelaide Nutting the famous nurse historian on the cover page. I felt like an archaeologist making a discovery. I guess the copy the library had once belonged to Adelaide Nutting. I probably could have just kept the copy and no one would have cared much. Such is the treatment Florence Nightingale is often given. She even predicted this. When the Edison Company recorded her voice she said that “some day when I am no longer a memory, just a name.” And today that is seems the case. Everyone knows her name but very little about her except the common folklore. I could not in good conscience keep the original. So I made copies of many of the pages. Even that would not be allowed today. And those pages are part of the collection.  Looking at those pages one sees what a theoretician, innovator and statistician she was.

5.       You wrote several songs about nurses, where can we listen to them?

I have had several ideas about how to tell the story of her life. I thought of a documentary called “On The Trail Of Miss Nightingale” where a host visited and talked about all the locations important to her life. Then, because I am a songwriter a few songs about her and nursing just came to me. Then I got the idea to write an opera about her life and wrote some more songs. Then I got the idea of a spoken word and song one man show about her life and nursing complete with projected slides. Then I tried to write a film treatment. A couple of the songs made it onto CD’s. I made a CD of four nurse songs called “Thank The Nurse” and still have a few of those around. I am currently working  on a new album and it will include several new songs about her and her sister. Over the years I have performed and talked about Florence Nightingale only a dozen times. I am amazed at the lack of song and film and about Florence Nightingale and nursing. Even though she is probably the most written about woman in history. She is never named as one of the famous and important women in the 20th century.

I think her image is tangled up in the convoluted thoughts and disinformation about women in general and nurses in particular. In today’s world there seems to be a lack of interest in history and an emphasis on the present and making a living. Perhaps that makes good common sense in today’s market place. But I still believe that her story is exciting, important and should be told.

6.       Why did you decide to build a website telling the story of Florence Nightingale, what else does it include?

It started as a simple idea. I wanted to show how interesting her life was and how important a person she was. We started with a timeline containing important events in her life from before her birth to her death. Each time I learned or discovered something new we added it. It is the only such site in the world. That just happened one thing at a time over a period of almost twenty years.  It is impossible for me to say what it includes. I will just say it includes everything I think is important to her life. You will not find some of that information any place else. I hope that UCSF Nursing School will continue to add to the site now that it is archived by the university.

 7.       Do you know how many visitors it attracts?

It is hard to interpret visitors to a site. But I will guess several hundred a month. Many of them are school children doing studies on famous women. I would be interested to know who uses the site. It was built for my own entertainment so I never had in mind visitors really.

Cover of the book from Country Joe McDonald's Florence Nightingale collection, "People at Work: The Nurse," 1963.

Cover of the book from the Country Joe McDonald’s Florence Nightingale collection, “People at Work: The Nurse,” 1963.

8.      Now that your collection and website are preserved at the UCSF Archives will you continue adding materials and updating the site?

I doubt that I will add much more to the site. But you never know. It would be wonderful if UCSF students doing nurse history would add to the site. There is now a new generation growing up with the internet and computers and they certainly could expand the site.

9.       For many years you have being performing a show based on the story of Florence Nightingale and other war nurses, where can our readers view it?

There really is no where to view it. I thought over the years that there should be some film or video made so that it could perhaps be used as an educational tool but that never happened. I do not perform much any more. I did do a short performance of spoken word and song in a Berkeley book store a few months ago around the subject of War Nursing. That was the first time I did that. I used material from the Crimean War, World War I and the Vietnam War with a subject theme of “burn out.”

10.  Do you have any nurses in your family?

My wife is a Labor and Delivery nurse and RN midwife. My brother retired after 37 years as a nurse and then nurse practitioner. My daughter just graduated and received her RN license. My niece is a nurse at UCSF Hospital and her husband is an RN.  As an aside, my mother’s name was Florence. It is said that most of the women of the 19th and 20th century named Florence were named after her. She was named Florence after the Italian city of her birth, Florence .

11. What do you want to wish the nurses around the world on this International Nurses Day that is celebrated on the birthday of Florence Nightingale?

I hope that nurses are able to appreciate the great sacrifices that those early pioneers made creating the wonderful profession of nursing. I hope that they are able to be proud of the work they do. I want them to know that we appreciate what they do daily often saving lives and allowing us all to lead happy and healthy lives. And I hope that they are able to take the day off and treat themselves to some well earned R&R.

Exploring the Archives for 150: Attend a $3 course, circa 1879

In preparation for UCSF’s 150th anniversary celebration exhibits, we’ve been doing a bit of exploring in the vaults. For the next several months, I’ll be posting some of the treasures we’ve discovered!

Check out the course registration process for UC Medical Department student Felix Bettelheim in 1878 and 1879. Forms included lecture admission tickets to courses in anatomy and surgery. The back of the tickets would be signed by the professor as a way to track attendance.

Lecture admission ticket, 1879, ArchClass H152

Lecture admission ticket, 1879, ArchClass H152

Lecture admission card, 1878, ArchClass H152

Lecture admission ticket, 1878, ArchClass H152

Note Hugh Toland’s name as instructor of surgery. Toland founded Toland Medical College in 1864 and later deeded the school to the UC. His gift created the UC Medical Department and paved the way for the establishment of UCSF.

Lecture admission ticket, 1878, ArchClass H152

Lecture admission ticket to Toland’s course, 1878, ArchClass H152

Bettelheim received certificates for completing dissection courses. According to a note in the collection, tickets to dissection courses were closely monitored to “prevent the morbidly curious from attending.”

Dissection certificate, 1879, ArchClass H152

Dissection certificate, 1879, ArchClass H152

Bettelheim’s tuition looked a bit different than today. As noted in the receipt, it cost $3 to attend the assigned course of study. Bettelheim graduated in 1880, we hope debt free!

Course receipt, 1879, ArchClass H152

Course receipt, 1879, ArchClass H152

1920s Nursing Uniforms from the “Aristocrat of Uniforms”

Check out the newest line of nursing uniforms from Bob Evans, the “Aristocrat of Uniforms,” circa 1925!

Cover of Bob Evans nursing uniform catalog, circa 1925, MSS 2013-4

Cover of Bob Evans nursing uniform catalog, circa 1925, MSS 2013-4

These illustrations come from a catalog created by Bob Evans Uniforms. The catalog was sent to Dr. Hendrik Belgum, founder of the Grande Vista Sanatorium, in 1925. The sanatorium, located near Richmond, California, treated patients with a variety of mental and physical conditions. Belgum regularly received promotional material from pharmaceutical and medical equipment companies like Bob Evans.

mss20134_1_bobevansuniform1mss20134_1_bobevansuniform2

Alongside the catalog’s illustrations are claims regarding the company’s quality and craftsmanship. The back cover even notes that the uniforms are made in “sunlit, cheerful and sanitary workrooms by expert sewers.”mss20134_1_bobevansuniform3mss20134_1_bobevansuniform4

Hope you enjoy these uniforms guaranteed to be “the nurses’ pride and pleasure.” To see more material from Dr. Belgum’s sanatorium, take a look at the Grande Vista Sanatorium collection, MSS 2013-4.

Women’s History Month – Dr. Florence Nightingale Ward

Continuing our look at talented and trailblazing women, we’re highlighting the work of homeopathic physician Florence Nightingale Saltonstall Ward (1860-1919).

Illustration of Ward from San Francisco Chronicle, July 11, 1895. MSS 2011-08, box 1

Illustration of Ward from the San Francisco Chronicle, July 11, 1895. MSS 2011-08, box 1

Ward was a prominent San Francisco surgeon, obstetrician, and gynecologist from 1887 to her death in 1919. She dedicated her life to providing safer, more accessible medical care for women and developing techniques that made childbirth less dangerous.

Ward received medical training from a number of hospitals and schools in Europe and the United States, including California’s foremost homeopathic institution, Hahnemann Medical College of the Pacific. She later served as Professor of Obstetrics at Hahnemann and held leadership positions in local and national organizations, including becoming vice president of the American Institute of Homeopathy. In 1915, Ward became the second woman to be elected to the American College of Surgeons, an appointment that recognized her many contributions to the fields of gynecology and surgery.

Ward's diploma from the New York Polyclinic Medical School, 1888. MSS 2011-08, oversize box 1

Ward’s diploma from the New York Polyclinic Medical School, 1888. MSS 2011-08, oversize box 1

Ward built her own sanatorium exclusively for women in San Francisco between 1907 and 1910. She employed an all-female staff and provided unique career opportunities for women with professional medical training.

Invitation to Ward's sanitarium, 1910. MSS 2011-08, box 1

Invitation to Ward’s sanitarium, circa 1910. MSS 2011-08, box 1

Ward’s practice blended conventional medical techniques with homeopathic remedies and treatments. Homeopathy was developed by Samuel Hahnemann in the early 19th century. His system was based on the theory that a substance that causes certain symptoms in a healthy person will cure those symptoms in a sick person. Ward was likely drawn to homeopathy in part because the field provided more opportunities for women than conventional medical practice. For instance, homeopathy schools regularly accepted female students while medical schools routinely denied women applicants because of their gender. Homeopathic professional organizations also welcomed women’s participation. As women struggled to find a place in the American Medical Association, Ward and other women helped lead the American Institute of Homeopathy and delivered papers at major homeopathy conferences.

Ward's list of symptoms and their homeopathic treatments, ca. 1880. MSS 2011-08, vault

Ward’s list of symptoms and their homeopathic treatments, ca. 1890. MSS 2011-08, upstairs vault

At UCSF, we house the Florence Nightingale Ward papers, MSS 2011-08, and a collection of rare homeopathy material. Ward’s papers include homeopathic medicine kits used by her in the late 19th century. Take a look inside one monogrammed kit below. Many of the vials contain substances still used in homeopathic remedies today!

Ward's monogrammed homeopathic medical kit, circa 1900. MSS 2011-08, upstairs vault

Ward’s monogrammed homeopathic medicine kit, circa 1890. MSS 2011-08, upstairs vault

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Ward’s monogrammed homeopathic medicine kit, circa 1890. MSS 2011-08, upstairs vault

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Ward’s monogrammed homeopathic medicine kit, detail, circa 1890. MSS 2011-08, upstairs vault

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Ward’s monogrammed homeopathic medicine kit, detail, circa 1890. MSS 2011-08, upstairs vault

Women’s History Month – Ellen Brown

In honor of Women’s History Month, we’re spotlighting a few of the many talented and trailblazing women who have been important in the history of UCSF and you may not have heard of before.

Today, read a little about the remarkable life and career of Ellen Brown, MD. We are fortunate to have Brown’s manuscript collection, MSS 87-42, and her oral history in the UCSF Archives & Special Collections.

Ellen Brown was born in San Francisco in 1912. She and her older brother Fred were raised by her parents, Warner and Jessie Brown, in Berkeley. Jessie was a high school teacher and botanist and Warner was a professor of psychology at UC Berkeley. Fred died at the age of 16 of respiratory complications of polio. His death had a lasting impact on Brown– she dreamed of becoming a doctor as a child.

photocoll_portraits_brown_1939

Ed Fong, Tesauro, and Brown in June, 1939.

Brown attended University High School in Oakland and went on to study at the University of California Berkeley, graduating with a bachelors degree in 1934. She continued to the UC Medical School’s San Francisco campus and graduated with her medical degree in 1939. In a class of  63 students, she was one of a handful of women.

Following graduation, Brown became chief resident under William J. Kerr, UC Chair of Medicine, from 1939-1943. The two worked closely for years– prioritizing cardiovascular research at UCSF. Brown helped to found the , which opened in 1958. Kerr was instrumental in laying the groundwork for the Cardiovascular Research Institute (CVRI), procuring the space on the 13th floor of Moffitt Hospital and funding from both UCSF and the National Heart Institute. The CVRI opened in 1958 with Brown as a co-founder and, later, a senior staff member. (Check out some of the CVRI’s milestones here.)

photocoll_portraits_brown_harvard1946

Ellen Brown at Harvard Medical School, 1946

Brown’s academic appointment at UCSF began with clinical instructor, 1943-1944, moved to associate professor, 1946-1959, and became professor of medicine in 1959. In 1944-1946 she was a Commonwealth Fund fellow in the Department of Physiology at Harvard Medical School (see photo above) and in 1958 she was a Guggenheim Fellow at Oxford University.

Brown operated a lab on campus for peripheral vascular research though the 1960s and 1970s. Concurrently, she worked on improving teaching techniques in predoctoral medical classes, initiating the “Introduction to Clinical Medicine” course and later serving as a residency evaluator for the School of Medicine.

This quote, from Brown’s oral history, demonstrates her zeal for education, enthusiasm for change in curriculum, and sense of humor: “The wonderful thing was how interested all these people in the non-medicine departments were. An ophthalmologist would sit down with a bunch of absolute nerds, and come and do that, four or five times, and teach them. The hardest thing to learn to do is to see in an ophthalmoscope. It is for most doctors. It’s one of the last things you feel comfortable about. That and a pelvic exam, I guess.”

Over the course of her illustrious career, Brown’s research interests included capillary pressure and permeability, blood volume and vascular capacity, cardiac failure, cardiac complications of pregnancy, and peripheral circulation in relation to pain syndromes and vascular diseases.

photocoll_portraits_brown_sanfrancisco1960

Brown on Edgewood Ave behind the CVRI on May 29, 1960.

When Brown officially retired from UCSF in 1979, she became a professor emeritus of medicine. Ten years later, in 1989, Brown received UCSF’s highest honor, the UCSF Medal, for outstanding personal contributions to the University’s health sciences mission.

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Brown and Francis Sooy, UCSF Chancellor 1972-1982, at the time of her retirement.

 

Brown passed away in October of 2006 at the age of 96. At that time, she gifted over $100,000 to the UCSF School of Medicine for the improvement of teaching for medical students.

Browns’ numerous contributions over the course of fifty plus years can still be felt today– through her impact on cardiovascular research as well as her in her insight and refinement of medical education.

Contact us if you have any questions or would like to learn more. And please don’t hesitate to use the calendar on the right to make an appointment to come in and use the collections!

Viewing Zakheim Murals at UCSF

As part of UCSF’s 150th anniversary celebration, the university has arranged special public viewing hours for the Zakheim murals through the spring:

Friday, March 13th:  4 – 7 p.m.
Friday, April 17th:  3 – 5 p.m.
Friday, May 22nd:  3 – 5 p.m.

Location:
Toland Hall on the UCSF Campus
533 Parnassus Ave., Room U-142
San Francisco, CA
Map of UCSF Parnassus Campus and Directions (printable PDF)

Recent article in San Francisco Chronicle highlights history of the Zakheim murals at UCSF.

Do you have questions or need additional information about public viewing?
Please contact UCSF Public Affairs: 415-476-2557