Mauricio Velasco is a young emerging professional in the museum industry. Born in San Salvador, El Salvador and raised in Los Angeles, he relocated from Los Angeles to attend the University of San Francisco. At USF, he aims to further his education while simultaneously gaining more work experience; he is currently interning as a Guest Assistant Curator for the University of California, San Francisco where he is assisting on their newest exhibition on AIDS titled, “They Were Really Us: UCSF’s Early Response to the AIDS Epidemic”.
As an Anthropology Major from the University of California, Riverside, Mauricio has a background in the study of human societies and cultural development. During his early college years he worked as an art handler and preparator in his university’s museum, which is composed of three distinct spaces: The California Museum of Photography, Sweeney Art Gallery, and Barbara & Art Culver Center of the Arts. Shortly after obtaining his BA, he started an Internship in the Collections Department at The Wende Museum of the Cold War. The Wende Museum is an art museum, historical archive, and educational institution located in Culver City, California. It is here that he worked other unique jobs found in the museum industry like that of a registrar, docent, and event staff member. After working at his university’s museum and The Wende Museum, Mauricio decided he wanted to have a career in the museum industry because of his love for the arts. Mauricio applied to the University of San Francisco’s Museum Studies Program shortly after.
Mauricio is now looking to network and collaborate with like-minded people who wish to push the envelope on what a museum can do as a public institution for its community. He is especially interested in cultural and historical museums. In his spare time he likes some rest and relaxation. When traveling, he is sure to visit the local museum, whether it is in Auckland, New Zealand, at the Auckland Art Gallery Toi o Tāmaki or at the Rijksmuseum in Amsterdam, Netherlands.
We are excited to announce the addition of a newly acquired collection to the archive. This collection includes materials assembled and organized by William R. Alschuler, California Institute of the Arts science faculty, for a class on the AIDS epidemic he was teaching in 1993-1996 entitled, “AIDS as exhibit.” It contains flyers, handouts, newsletters, and other publications from numerous public health departments and community based organizations in California and around the country with information about AIDS transmission and prevention, treatment, testing protocols, nutrition, service organizations, legal rights and educational resources as well as newspaper and journal clippings and course syllabi about the history of the AIDS epidemic. The final project of this class included exhibits curated by students that were displayed in hallways at California Institute of the Arts.
Expanding on one thread from his recent book, Patient Zero and the Making of the AIDS Epidemic (Chicago: University of Chicago Press, 2017), Richard A. McKay, D.Phil. will present findings from his archival research across North America to illuminate historical aspects of sexual health and sexually transmitted infections among men who had sex with men. The talk will focus on California in the 1950s and 1960s, with a particular emphasis on developments in homophile activism—the forerunner of later gay rights organizing—and public health. Dr. McKay will also reflect on the methodological challenges of carrying out research on a topic for which patient records and other source materials were routinely destroyed to preserve confidentiality.
Dr. Richard A. McKay, Wellcome Trust Research Fellow in the Department of History and Philosophy of Science at the University of Cambridge
MONDAY DEC 10, 12 – 1:15 PM
5TH FLOOR, LANGE ROOM,
Join Associate Professor of History, Deirdre Cooper Owens as she explains how the institution of American slavery was directly linked to the creation of reproductive medicine in the U.S. She will provide context for how and why physicians denied black women their full humanity, yet valued them as “medical superbodies” highly suited for experimentation. Engaging with 19th-century ideas about so-called racial difference, Cooper Owens will shed light on the contemporary legacy of medical racism.
Go beyond the Archives Talk with a Master Class led by Associate Professor of History, Deirdre Cooper Owens. Space is limited, REGISTER HERE.
Deirdre Cooper Owens, Ph.D., Associate Professor of History at Queens College, CUNY in Queens, New York and an Organization of American Historians’ Distinguished Lecturer